Showing posts with label design. Show all posts
Showing posts with label design. Show all posts

05 June 2008

You’re Thinking Like A Marketer, Not A Customer


If you’re running a site to promote something (a product, an event, a way-of-life), and you’re doing so not simply out of the goodness of your heart,* but for financial gain, chances are you’re doing it totally wrong.

And if you are doing it wrong (and you probably are, trust me), then you’re losing money, losing audience, and losing sight of what makes your product/event/philosophy remarkable.

Nine times out of ten, the big problem is that you’re thinking from the point of view of a Marketer rather than as a customer. It’s nothing new to say this, of course, but I wonder if you could recognize it when you see it.

This is one of the biggest signs, and it turns people away before they’ve even had time to figure out where they are:

A homepage that screams “Buy This Now!,” instead of posing a polite, quiet, “How can I help you find what you’re looking for?” or even, “Hi! How are you today? Please feel free to take a look around and let me know if you have any questions.”
There’s a reason that brick-and-mortar salespeople** and cashiers and waitstaff and receptionists and pretty much everyone else use polite language like that above. They are there to serve you and assist you in paying for what you want to buy, not shove the Bison Burger Special down your throat.

Consider this bit of analogy:
It is raining. Hard. You don’t have an umbrella, but need to walk another twenty blocks down Fifth Avenue to get to your job interview. Crossing 36th Street, you glimpse a rack of umbrellas inside a store you’ve never shopped in before, a place called Jerry’s Stuff On Fifth. Sweet. Salvation. You open the door. *Ringaling!* You step inside, casually scanning the room from side to side to locate the rack of umbrellas you had noticed through the window, as you shake off a little of the rainwater and try to calm your breath. Without warning, you are ambushed by sales associates on either side, yelling and arm-waving and shoving Plastic Thermoses in front of your face.

“$9.95! Two for $15!!! Tell A Friend!!! Buy Now! Buy Now! $9.95! Two for $15! Only today! Special Special!”

You try to speak: “But...but...I just want an um—”

“Thermos Special! Buy Today! $9.95! Two for $15!”
If you don’t go running back out into the thunderstorm after enduring that, then I’ll eat my shorts. (Oh wait, I already did that.)

Make sense yet?

Here’s a translation of my little allegory:
Rain = Google

Umbrella = Search Query

Jerry’s Stuff On Fifth = Your Website

Plastic Thermoses Salespeople Of Doom = Bullshit Links and Flashing Banners and Fancy Rollovers and Embedded Commercials and BUY NOW MOTHERFUCKER Buttons that have absolutely, positively, NOTHING to do with what your customers want because you haven’t even bothered to ask them.
Any questions?

----

*Of course, even people doing stuff out of the goodness of their hearts routinely make the same mistakes. But the stakes are frequently higher when money gets involved, and for some reason, folks working for-profit tend to approach things with a much higher dose of ego, self-deception, and propensity for outright lying and other unethical behaviors that basically define “Marketers.” (Sub-note: marketers are not intrinsically evil. Marketers (capital M) are.) Go Back Up

**I am aware that a lot of salespeople are assholes. These are not the ones I am referring to. Have you stopped to think that your site acts like the very worst of the worst Timeshare salespeople? Go Back Up

21 March 2008

Fucked By Free

Subtitled: Kicking Yourself Ain’t Worth The Knee Strain

Backstory: Back in November, “Web2.0 Blog of Blogs,” Mashable held a teensy little design contest to avoid paying a fair market price on a look for a t-shirt (snicker). The prize: An iPhone and some other boringish stuff. But mostly, the reward would come from the glory obtained by rising to the top of the community-generated content heap, and being deservedly recognized by the A-list crowd for one’s mad skillz. This was one of those half-assed design competitions that didn’t even include the usual “all intellectual property rights are hereby relinquished and exclusive commercial rights granted to [Company] upon submission of design work” disclaimer. Nope, just a super-casual, super-laid-back, “meh” of a contest.

And it ended up getting some pretty nice entries. The winning design - a cute little potato (get it? Mashable?) - is really polished, and a few of the others are remarkably wearable.

Naturally, I entered this contest (otherwise, why blog about it?). I couldn’t sleep, had read practically everything remotely interesting that had been posted to the internet that day, and decided - what the heck! - to fire up Adobe Illustrator to design a couple shirts.

This was 2:00 a.m., mind you.

At 3:00 (a mere 4 hours before I was to get ready for another grueling Monday at my former job), I submitted my designs. All 15 of them.

I went with a pretty tried-and-true form for all the designs: clever, slightly off-color slogan, centered on the shirt - and a simple, but cool giant M! on the back. Totally original, I know. Still - they felt appropriate to the Mashable brand, and I quite like a couple of the slogans I came up with (particularly the “Mashable is sexy in Helvetica, too.” shirt, which is the only one with a different layout, and not set in Myriad Pro.). But would I win? Nah. Never would’ve expected to. I contributed the designs partly as an embrace of the culture of free, partly out of boredom, and partly out of some insomniacical mania.

You see, growing up I had a lot of trouble falling asleep. And in my waking hours - especially those spent in high school and college - I found that I was drawn to extreme amounts of repetition and, in this, creativity. One night, I somehow managed to write 30 pages (single-spaced) of statements that began with the words “Staying up to...” Get the picture?

OK, now, fast-forward to today.

Mashable has opened a cool, new t-shirt shop using Zazzle.com (Zaz-what?!) that contains “40 different designs to choose from to show your love for all things Mashable, including submissions from our t-shirt design contest.”

“Sweet,” thought I, “Maybe they used one of mine.”

Well, yeah. Actually 12.

Twelve of the forty designs are mine. Take a look:

mashable t-shirts

Oh, but wait!

These aren‘t my designs at all! What in God’s name is Arial Rounded doing in the place of Myriad Pro in some of them? I cry foul! Sure, Arial Rounded is oh-so-typically Web 2.0, but come on, guys. Eww. But yes, all of those corny slogans are mine.

OK, now what’s my point? Am I looking to be compensated for my grievances? No, no, no. Nor am I trying to bash Mashable for their behavior.

What I am doing is trying to provide a tiny bit of caveat emptor to folks who might decide to enter similar contests in the future. Rules are important. Rights are important. Your creative work is important and has value. And if you wish to give it up, you should do so willingly, knowingly, and with a clear understanding of what it means to relinquish control of your intellectual property without fair compensation.

In my case, this means I have to watch as Mashable launches an online store from which they stand to make thousands of dollars in profit doing little more than leveraging their (deservedly-strong) brand, with an inventory of products created at no cost to them. Brilliant for Mashable. Shitty for the ladies and gents who did the hard work designing the shirts. Shitty especially, for me, upon realizing that fully 30% of their catalog is work I produced, and for which I received not even a mere hyperlink to my blog. I was credited for my designs on the Flickr pool, but not linked. Meh.

Certainly, all of this would have been nice: a link, share of the revenue, free copies of my shirts, a free iPhone to supplement mine which is looking a little sad after doing some pavement surfing a couple months ago, fame and glory. But I’m not asking for any of that. And I am surely not asking that Mashable remove my designs from their store. A part of me thinks that it is seriously awesome that my work is being sold by one of the biggest blogs on the web.

All I want is for a few of you out there - in situations similar in some degree to mine - to be careful. Free is a business model. Which means thinking long and hard about how choosing it benefits you, benefits your intended market/audience and benefits the world.

Looking back, I still would’ve made the same choice, even if the moment of “sticker shock” was profoundly unsettling.

Oh, I nearly forgot: here is the store.

03 March 2008

Racial Infographic Whimsy

Or is it Infographical Racial Whimsy? Whimsical Infographic Racism?

Another stellar infographic from the New York Times, though this one scores major points for illustrating a concept (The Words We Use to Talk About Race), rather than empirical data.

02 March 2008

Encyclopedia Of Life


Easily one of the most exciting new sites to launch recently (along with 23 & Me, which I’ll get around to writing about one of these days) is Encyclopedia of Life (eol.org). Hold on, no cutesy Web 2.0-style name? Nope. This site is business. Beautiful, inspirational, important business.

In their own words:

The Encyclopedia of Life (EOL) is an ambitious, even audacious project to organize and make available via the Internet virtually all information about life present on Earth. At its heart lies a series of Web sites—one for each of the approximately 1.8 million known species—that provide the entry points to this vast array of knowledge. The entry-point for each site is a species page suitable for the general public, but with several linked pages aimed at more specialized users. The sites sparkle with text and images that are enticing to everyone, as well as providing deep links to specific data.

The EOL dynamically synthesizes biodiversity knowledge about all known species, including their taxonomy, geographic distribution, collections, genetics, evolutionary history, morphology, behavior, ecological relationships, and importance for human well being, and distribute this information through the Internet. It serves as a primary resource for a wide audience that includes scientists, natural resource managers, conservationists, teachers, and students around the world. We believe that the EOL's encompassing scope and innovation will have a major global impact in facilitating biodiversity research, conservation, and education.

The EOL staff is made up of scientists and non-scientists working from museums and research institutions around the world. We currently have 20 full time employees, but as this project grows, so will the EOL family.

In my own words:
Wow.
Here’s a screengrab of one of the species pages:


I truly love the web design work here. The site is clean and sophisticated without being boring or overly dense, like one might imagine an encyclopedia page to be (particularly if Wikipedia is used as an example). And the “Detail” slider, which lets you adjust the amount of information displayed about the species, is one of the coolest new interface elements I’ve seen on a site.

There’s way to much to say about the Encyclopedia of Life project, so I’ll leave it to the folks involved to do so in video form. Please do watch the two videos below, check out some of the exemplar pages, which show the fullness of the entries that will one day exist for all species on Earth, and imagine this resource 5, 10, or 25 years from now.


EOL Video 1


EOL Video 2

25 February 2008

Free Barack Obama Desktop Wallpaper

barack obama wallpaper

Download this free Barack Obama desktop wallpaper in all its 1920x1200 pixel glory and save the world with a single click!

08 February 2008

What Is Graphic Design?

My entry in the “What is Graphic Design?” poster contest on Veerle’s blog.

Making Arial Look Good
The actual entry doesn’t have the fancy drop shadow.

View all of the entries here, on Flickr.

29 January 2008

State Of The Union Infographic


The New York Times continues to include amazing infographics along with its online content. This morning, there is a great one - not interactive, like many are - detailing the linguistic content of President George W. Bush’s State of the Union addresses over the last 8 years. It provides an illuminating look at the administration’s perception of the American life and global landscape.

Also interesting is the accompanying graph that plots the percentage of people who “approve of the way Mr. Bush is handling his job” and “said the country is going in the right direction” since the President took office in 2001. Two guesses which direction the graph is heading, and the first one doesn’t count.

Last year’s look at the State of the Union is here.

25 January 2008

New Google Reader Favicon



Yes, I am aware this is the nerdiest thing ever.

But it’s cool. And a very nice icon. Bravo, Google Reader team.

And besides, I’m not the only geeky designer to notice this.

23 January 2008

MacBook Air Brand Naming


One of my biggest criticisms about the MacBook Air brand naming (as a hypothetical based on rumors - not as a name in and of itself) hinged on the fact that it is bad form to include the word “air” as a non-proper-noun in the slogan, “There’s something in the air.” Apple did this on the banners that adorned Moscone Center, as can be seen here at AppleInsider.

But, somehow proving my point, during Steve Jobs’ keynote (which I just finished watching this morning in podcast form), the slide containing this very quote showed the word “Air” properly capitalized, which is much more appropriate (though still just as nonsensical, if you ask me) from a branding standpoint.

So why would it change? Perhaps a slip up in the initial banner printing that was fixed for the digital keynote. Perhaps the banners were prepared months earlier, before the MacBook Air name had been decided upon, but the concept of wireless and mobile connectivity a sure focus. Perhaps they just thought that capitalizing it would give things away. Who knows? The point is that they fixed it, and my faith in the Apple marketing team is restored.

As a side note, I actually think the name itself is just fine. Better than the new “Skinny” branding used at Starbucks, at least.

22 January 2008

8 Ways To Drive A Graphic Designer Mad

Amazingly funny (and tragically true) list that I wish I wrote.

A highlight:

When you have to send a graphic designer a document, make sure it's made with a program from Microsoft Office. PC version if possible. If you have to send pictures, you'll have more success in driving them mad if, instead of just sending a jpeg or a raw camera file, you embed the pictures inside a Microsoft Office document like Word or Powerpoint. Don't forget to lower the resolution to 72 dpi so that they'll have to contact you again for a higher quality version. When you send them the "higher" version, make sure the size is at least 50% smaller.
Check out the whole list. And behave yourself!

Related video. (Inasmuch as it is about torture.)

18 January 2008

iPhone Web Clip Icons

The great Antonio Carusone from AisleOne has published a sweet collection of some iPhone/iPod Touch web clip icons perfect for decorating your now-customizable home screen (1.1.3 update) with nice-looking icons, rather than the miniature versions of the web page, which all tend to look pretty similar. Download the zip file, upload it to a directory, and then use these instructions to set a custom icon for sites for which you don’t have server access.

If you don’t have access to a web server to upload the icons, you can use the ones I have uploaded. Just click here to view a collection of all the icons and the links you’ll want to type in when you set the location (as described on the above link). I’ll be adding some of my own over the next few days/weeks, so check back every now and again to see what’s new.

Ultimately, I’m sure a lot of folks will end up making custom icons for their own sites - eliminating the necessity of this process - especially given how easy it is (Step 1: upload a 60x60 pixel PNG file named “apple-touch-icon.png” to the root directory for your site. Step 2: There is no step 2), but for now, this’ll go a long way toward making things more navigable on your iPhone. Besides, a bit of customizing never hurt anybody.

17 January 2008

Apple Takes Over NYTimes Home Page


Awesome Apple ad tonight on the home page of the New York Times site (not sure if this is new). It occupied substantial real-estate under the masthead and down the right side of the page. Starring Justin Long and John Hodgman from the loved/loathed Mac vs. PC commercials, the ad plays with the very architecture and layout of the site. Hodgman climbs up a ladder to append the word “not” at the end of a quote from the Wall Street Journal (“Leopard is better and faster than Vista”).

Totally cool. Completely takes over the site, but does so in such a clever, whimsical manner that keeps it from being annoying. Great way for the Times to put their space to use (and make a nice bit of cash) during a slow news hour on slow news day (Just look at the headlines of the top stories if you doubt this.).

Update: Bob Caswell points out this ad is on the Wall Street Journal, too. Anywhere else?

18 December 2007

“Arial: Shameless Impostor” Desktop Wallpaper

Are you masochistic? Do you have negative feelings toward someone this holiday season? Well, look no further than this totally free “Arial: Shameless Impostor” desktop wallpaper. Set in one of history’s lamest typefaces and in eye-bleeding black and hot pink, this 1920x1200 pixel work of Bad Art is the perfect cure to your suicidal/homicidal tendencies.

But seriously, though, if you’re on the edge, setting this on your computer’s desktop could push you over. Use with caution (just like the typeface).



Some Helvetica wallpaper available here, if you don’t feel like inflicting pain on yourself and your loved ones.

ReadWriteWeb Redesign Analysis And Critique

ReadWriteWeb, a popular technology blog started by Richard MacManus launched a redesign yesterday (by San Francisco-based Ideacodes). The new look was greeted with a reaction ranging from “it’s awesome” to “Worst. Look. Ever.” with a lot of stuff in-between.

Before I get into my opinion on the design, let me just say that ReadWriteWeb is one of my top-read blogs. MacManus is a smart guy, and his team of writers are pretty high-quality, too. It’s good stuff. I wouldn’t be so picky if I didn’t care.

And this is precisely why the new design is so unfortunate. I won’t pretend to remember what the old design looked like (and the WayBack Machine is down at the moment, so I can’t check), but what was always important to me about ReadWriteWeb was its content. Well-written, well-researched articles offering an interesting and original point of view. The site made sense. And now it’s all over the place. Navigation is redundant, inconsistent, and lacks hierarchy. I don’t want to click anything at all. There are all sorts of little issues with the redesign, and I’ll touch on some of them below, but the biggest issue is this lack of hierarchy - fueled, at least in part, by the tendency of successful blogs to become “content networks.” GigaOM recently relaunched version 2.0 with a similar focus (and a redesign by the same company - coincidence?) and TechCrunch has long been a poster child for this type of “community” of related sites linking to one another. But it just convolutes things and it’s impossible to know what content you should actually care about. What’s important here, and how are these elements connected?

Another huge issue for me (and a quite unexpected one, to be honest) is Richard MacManus’ response to the criticism in the comments. He posted two very long and detailed comments of his own addressing the negative reactions, which, on the surface, might sound like the right thing to do. Isn’t that part of the Web 2.0 ethos, after all?

Yeah, it is, but not the way MacManus handled it on this occasion. I won’t spend too much time talking about this, because you should just read his responses for yourself, but among other things, he even goes so far as to state that he doesn’t respect certain commenters - not their comments - but as people. His justification for this is that they didn’t show respect for himself or the designers, and I don’t see this at all. Two of the three commenters he singled out actually had positive things to say about the design, and I fail to recall a rule somewhere that specifies that all opinions on the subject of design have to be justified by technical know-how.

Not everyone is a designer. Not everyone knows how to explain what they don’t like about a design. You can’t ask readers for feedback and then say that only qualified, properly-educated professionals are allowed to have an opinion.

Here’s another thing that really got to me. In his response, MacManus writes:

Winston said: "Guessing that this may be the result of attempting to appease conflicting opinions through out the design process. Save opinions till the comp is fully fleshed out, then select one.. no mixing and matching."

RM: This is an extraordinary assumption to make. "Conflicting opinions"? There were none. Winston, up to this point your critique was valid. I didn't agree with a lot of it, but at least it didn't jump to conclusions like this.

He claims Winston made an absurd jump to the idea of conflicting opinions leading to issues in the design process (all too typical, gotta say). But in the article announcing the design, MacManus actually says pretty much exactly that.
Personally I love the new logo and header, but I am certain they will provoke different opinions. Why? Because that was the case with the ReadWriteWeb authors during the design process!
I’m not saying that MacManus was wrong to respond, nor that he is wrong about everything he defends. Some of the commenters were indeed disrespectful - it’s the internet, after all - but when MacManus says, “Anyway, enough of me on my high horse,” that’s a clue that he took the wrong approach in his response, and failed to attempt to understand why the reaction was so negative and why “much of the critique here did not mention how clean, modern and fresh the design is.” Could it be because it’s not? Is that even a possibility?

Let’s take a look at the design itself, now, starting with the new logo.

ReadWriteWeb Redesign Screenshot
(ReadWriteWeb logo: Before and after)

Comments on the original logo:
  • The slash is a little awkward and has too light of a stroke.
  • The color is a little unbalanced - too much red on the left.
  • The flat yin/yang is just fine.
  • Interesting typeface.
  • Clear separation between the Read/Write part of the name and the Web.
  • Perhaps too thin to be reproduced at small sizes.
The new logo, however, takes these problems and expands on them.
  • Univers is a poor choice as the typeface. The condensed version here, with multiple point sizes being mixed together in CamelCapsStyle and with a hierarchy of blackness makes it pretty unreadable, even if the focus should be on the initials. (sidenote: are they trying to purchase the rww.com domain?)
  • Why the subtle gradient on the Yin/Yang? The rest of the site and the logo use flat colors.
  • I actually like the deep red color, why is the logo just black and grey?
  • Why did they flip the Yin/Yang over?
  • I know MacManus likes the Yin/Yang but it doesn’t work with the new slash-less branding. It’s also an extremely overused graphic symbol, and can’t stand on its own.
  • The logo is really horizontal and has to be reproduced at a relatively large size to be readable.
  • It really does just look awkward and unprofessional.
  • Why the rounded rectangle enclosure for the YinYang? It it supposed to be the same as the GigaOm branding?
  • Kerning (space between letters) is bad. Looks like the default, and makes it seem like there is an actual space between Read and Write, while Write and Web are more snug. Look closely at the dWr and eWe groupings to see this imbalance.
Moving on. My least favorite part of the redesign is the header. Here’s the first piece.

ReadWriteWeb Redesign Screenshot

Logo aside, what are the issues? Well, as I mentioned earlier in the post, there is no clear hierarchy to the navigation. Some links on top of the (admittedly odd) rounded rectangle, and some underneath, separated by little shims. Everything gets a decent white rectangle on hover, but the sharp angles don’t quite fit with the rounded corners of the larger box. I actually tried to click the “RWW Network” text several times before realizing it is not a link. The light grey doesn’t do nearly enough to communicate “I am not a link, even though I’m in a really prominent position on the page.”

What is Last100? AltSearchEngine? How are these related? Is the CamelCaps supposed to be enough of a clue that these are sites in the RWW Network?

EverybodyUsesCamelCapsNowadays.

ReadWriteWeb Redesign Screenshot
The right half of the header actually irks me more than anything else on the site. First, more links. How many links can you fit in one header with absolutely no hierarchy? RWW has 16. Seventeen if you count the logo, which takes you back to the homepage (sigh, even when you’re on the homepage!). Seventeen links and not a single one is remotely more important than the others.

But that’s not the bad part. The bad - awful - painful part is this collection of subscription forms and Feedburner chiclets. So many boxes, offering so little functionality to a regular reader. It clutters things up and isn’t even clear that the Feedburner chiclets are linked to entirely different feeds than the forms beside them. RWW looks too much like RSS. The custom “Go” buttons looks odd, and what does that mean anyway? Where are you going to go when you click it?!

Why not a single text area with a check box or radio buttons that let potential subscribers select daily or weekly email feeds? Make daily the default and only require someone to do something if they want a non-default setting, rather than forcing every potential subscriber to look at all these boxes and buttons and image links (and don’t forget the “Subscribe” text link, which points to the XML file) and decide between them.

And then there’s another text box underneath, making the header a veritable forest of forms. Can I submit my CV there, too?

I hope you’re not browsing with a font size larger than the default. If you are, you’ll notice that the header navigation is completely broken from an accessibility standpoint. Links disappear, everything overlaps (including forms, which I had no idea was even possible!).

ReadWriteWeb Redesign Screenshot


OK, that’s the big stuff. Now to some littler comments on other aspects of the redesign:

This I don’t understand. Why does the footer look like this on the home page:

ReadWriteWeb Redesign Screenshot

And like this on another page?

ReadWriteWeb Redesign Screenshot
The “Earlier This Week” section is just fine.

ReadWriteWeb Redesign Screenshot

And I like these post boxes on the home page, with the related images and preview of the post.

ReadWriteWeb Redesign Screenshot

Featured Posts is also nice, but too far down the page to actually be “featured.”

ReadWriteWeb Redesign Screenshot

Decent main content on the home page. Latest post and popular posts are featured. My beefs with the design are a lot less with the way the content is presented than with how it is structured and the navigation.

ReadWriteWeb Redesign Screenshot

Look, more links! Lots more links in the footer. All the links in the header are down there, too. Why not put a : after RWW Network to separate it more, rather than a | which again makes it look like a visited link

ReadWriteWeb Redesign Screenshot

OK, what’s going on here with the formatting for the comment form? Look at that (lack of) alignment! I don’t love it, and it takes away from the cleanliness of the design and the occasionally nice light grey horizontal rules.

ReadWriteWeb Redesign Screenshot

And finally, we get two sections in the sidebar with tag clouds. One labeled “Popular Tags” that contains at least 50, and then a totally gratuitous Swicki widget, of which there are two in the sidebar (one with tags, and one that is just a Search form). Tags are cool, but this is overkill and totally non-functional.

ReadWriteWeb Redesign Screenshot
ReadWriteWeb Redesign Screenshot

What do you think?

17 December 2007

Analyzing Ron Paul

The statistical paradox of Ron Paul's presidential campaign

This data about the Ron Paul 2008 presidential campaign was compiled over the course of a months-long, peer-reviewed scientific study of finances, poll results, Web 2.0, and other pertinent data. (To scale.)

12 December 2007

50 Critical Questions About Your Website:

  1. Can you tell someone how to get to your site without having to spell anything?
  2. Are the URLs human-readable or are they full of special characters and dynamically-generated gobbledygook?
  3. Do you have an About page?
  4. Can visitors tell what your site is about without visiting your About page?
  5. Is your contact information readily available on every page - or at least from every page?
  6. If not, what are you hiding from? Your customers?
  7. Is your home page doing you any favors or is it merely an “Enter Site” gateway?
  8. Do you have an RSS Feed?
  9. Did you decorate for the holidays?
  10. When is the last time you added new content?
  11. Why has it been so long?
  12. Is your site ranking highly in search engines for relevant keywords?
  13. What about for your name? Or your business name?
  14. What are your relevant keywords, anyway?
  15. Is anyone linking to you these days?
  16. If not, what can you do to make this happen?
  17. Who are you linking to these days?
  18. How long does it take your site to load at your mother’s house?
  19. Do you need to download anything on her computer to even see your site?
  20. What is the single most important thing you want a visitor to do?
  21. Is that clear from looking at your site?
  22. Does your site look professional, or does it look like a teenager’s MySpace page?
  23. Do you link out to your other web presences (social network profiles, Twitter account, YouTube page, Flickr photostream)?
  24. Is it clear what content is protected by Copyright and what is free to take and re-use?
  25. What one thing can you do to your site today to increase visitors?
  26. Are you commenting on blogs and building relationships with other site-owners in your industry or niche?
  27. How does your site look on a mobile device?
  28. An iPhone?
  29. Blackberry?
  30. Cheapo-plastic-freebie phone?
  31. Amazon Kindle?
  32. Is your site usable with images turned off?
  33. On a computer with no Flash or Javascript?
  34. In every web browser?
  35. How many clicks does it take for a visitor to give you money?
  36. Is your site “fine for the moment” or is it flexible enough to be fine for the next 5 years?
  37. Are your ads annoying?
  38. How easy is it for a visitor to leave a comment or write a review?
  39. Can your site run without you?
  40. Is the entire site backed up?
  41. Is the important stuff backed up multiple times in multiple formats in multiple physical locations?
  42. How long would it take to turn your entire site navy blue with white text?
  43. Is this time measured in seconds (awesome), minutes (good), or hours (you’re doing things wrong)?
  44. Is your branding consistent between your site, your printed material, your storefront, and you as a person?
  45. Do your product descriptions sound like they were written by a person or by a mentally-ill robot programmed with the vocabulary of an out-of-work Madison Avenue ad guy whose last account was for one of those food processors they sell on TV at 2am?
  46. Do you care about your website?
  47. Is it important to you?
  48. Are your readers and customers important to you as people, not just as eyeballs with wallets?
  49. Would you be sad - actually sad - if your site disappeared tomorrow?
  50. What would you do if it did?

10 December 2007

Letterpress And The Death Of Print Design

I’ve lately been really into letterpress prints, and just received a set of Christmas cards in the mail that I ordered from Etsy.

Generic Holiday Cards from Etsy.com
The cards I bought don’t seem to be in stock any longer, but they’re absolutely fantastic, and I can’t wait to address and send them to some of my relatives. There’s something really awesome about the human touch evident in letterpress work, and these cards are no exception. Each one is individual, and deserves one of those stickers they put on t-shirts at Target that lets you know that any inconsistencies in the coloring are totally intentional and critical to the design.

What’s odd to me about this latest obsession of mine, though, is that it comes at the same time I’m contemplating phasing out designing for print as a primary service that I offer through Frivmo Design. With the web there is just so much more than can be done - and for considerably less money. The best part, though, is that by designing sites using modern and standards-compliant markup, you are creating something future-proof, something sustainable, and something that is flexible in a way that print could never be. I find this openness and adaptability to be a thing of beauty, and I marvel at the possibilities offered by the medium. Every day brings the announcement of a new technology, a new approach, a new way of creating something incredible that allows people to connect in new and different ways.

This is not to say that I find print uninteresting. Far from it, in fact. I have always - always will, I imagine - been deeply moved by printed materials. From baseball cards, to comic books, to novels and books of philosophy and art - I have taken great joy in collecting and owning work on paper. I share a love for the tactility of the printed page with all true-blue book aficionados, and I don’t think it’s going anywhere anytime soon.

But what bugs me about print, I guess, is that it is becoming less and less like the handmade letterpress Christmas cards I just bought, or the books and cards and papers I’ve collected over the years. Technology has made designing for print so much more efficient, so much more predictable, and by and large, it has lost the very uniqueness that makes it so special. It has become, in many ways, little more than a printed version of the Web, with less functionality - in a reversal of the “websites as digital versions of newspapers and magazines” trend evident early in the Web’s life, and still somewhat widespread. Just look at Wired Magazine for a glaring example of this reversal.

Print has lost its soul.

Yes, there are exceptions. Thank goodness for them. But I find myself less interested in the industry as a whole because new, exciting, and soulful work is so rare and so expensive. Mass production may have made print a viable and important art form, but the ultra-mass-production of today’s world is commoditizing it towards obsolescence.

All that said, I would love to learn the art of letterpress. If anyone has information about how to get started (and how to find an inexpensive and small, but still functional, letterpress machine), I would really appreciate your input.

07 December 2007

Free Blogger Template: Restoration


Adding to the growing family of free blogger blog templates offered here on Frivmo, is a sleek one-column template called Restoration.


Here are some instructions:

Please feel free to download the XML file (which you’ll then use on your blog by unzipping it to your desktop, and then from your Blogger dashboard click on Template > Edit HTML > Browse for the file on your computer > Upload), share it with your friends, and edit it to your heart’s content. All I ask is that you keep the little credit at the bottom, and if you’re feeling generous, link back to this post.

download

06 December 2007

5 Free Helvetica Desktop Wallpapers

I’ve totally been in the giving mood lately (I tend to get the Christmas Sprit bug quite badly this time of year), and tonight I whipped up a couple huge desktop wallpapers for Helvetica-lovers (and who isn’t one of those?).

Knock yourself out - grab one, or all five, and feel free to share them, remix them, and cover them up with all of your icons and windows. Caution: The “Hot” and “Cold” wallpapers are quite large downloads (a couple megabytes each.)

Merry Christmas Helvetica Desktop Wallpaper
Hanukkah Helvetica Desktop Wallpaper
Cold Helvetica Desktop Wallpaper
Hot Helvetica Desktop Wallpaper
Silence is Fake Helvetica Desktop Wallpaper

05 December 2007

Free Desktop Wallpaper: Putin Is Hot


OK, so I made this desktop wallpaper last night to celebrate two of the best things in the world: Putin and Helvetica. Well, the Putin part is certainly debatable, but not Helvetica. And even if you, like many, have issues with the current Russian leadership, perhaps you’ll appreciate this wallpaper for its tongue-in-cheekness, or its judicious use of the best font ever, beautifully combining both Cyrillic and Latin letterforms. It says “Путин is hot,” which means Putin is hot.

The only version I have right now is 1024x768, but there will be larger sizes in the next day or so (up to 1920x1200). Edit: Added a gigantic 1920x1200 version. See below.

download 1024x768 PNG (151 KB)

download 1920x1200 PNG (308 KB)